La Paghjella fait un large usage de lécho et se chante aĬapella dans diverses langues parmi lesquelles le corse, le sarde, le latin et le grec. Le soutient et enfin la terza, qui a la voix la plus haute, enrichit le chant. Toujours dans le même ordre : la segonda, qui commence, donne le ton et chante la mélodie principale lu bassu, qui suit, laccompagne et Elle associe trois registres vocaux qui interviennent La paghjella est une tradition de chants corses interprétés par les hommes. Le Cantu in paghjella profane et liturgique de Corse de tradition orale (le forgeron Francescu Luigi Succi, 1850-1934)Ī flute made of reed, according with the theme of the Lamenti In fact, this is the principle of the bagpipe, one tube produces the melody, the other one "the bourdon", the humming. The cialambella can also be made with a double reed of which one, without the small holes, produces a continuous sound. Palmtree the reed was kept simple, punched by a piece of red-hot metal. It arrived in Corsica not much later and through the centuries the body has been made of the wood of the figtree, the olive,-or It was already known in the Antiquity, Greek shepherds called the instrument The cialambella (cialamedda in the south of Corsica, cialambella or cialamella in the north), is one of the most simple Well known instrument makers, who are building beautiful instruments, are This instrument is integrated with harmony toĪncient orchestra and it sometimes offers original tones to contemporary productions. This traditional Corsican sistrum with 8 double choires, whose origin probably dates from the italian Middle-Ages, has been remadeīy stringed-instrument makers, from the rare preserved models. Under the heading of the research linked to music, it is interesting to notice the success of certain undertakings of restoration of traditional instruments among those the Cetera, one of the most remarkable.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |